Movce it extremely slowly, like "Monk" from the detective show, using his hands to reduce his field of view, so he can concentrate on details. Take your hand, lift to eye level, and gaze directly at the back of the hand, so that your palm looks like it's "smoothing off" the whitish light on the walls. Translocation is more valuable than a random experiment.
Note: if the whitish light forms another place, go for that instead. When the whitish light takes on texture, you're ready to experiment. Keep going, just glancing past the puffs and other "colors" you can still scoop up. Play with puffs, depositing them on your body, and building the expectation to look a direction and actually see something amazing (a brilliant puff), doing that as continuously as you can.Įventually you'll notice whitish energy on surfaces. So here's a practical experiment based on the first 2 I can still recall. So it really only takes seconds, if you can drop both. The 2 minutes is the time from silence, to where you can drop the images also. Not the 2 minutes we've been given as an estimate. If you can drop both the internal dialogue, and eliminate the images, the assemblage point starts to slide in seconds. Mostly worries I would assume, but certainly what Carlos called, "obsessions", such as sex. But as you wait for it to move, you find that images in the mind still cause it to remain where it normally is located. In silence, the assemblage point can move. Most of those skimings are substantial, meaning, you have an entire population of billions, sharing the same skimings (reality). Not the actual helpful, "force" of intent, which gifts you.īut rather, the images are the "skimings" of all the emanations available to you, from which you have selected only very specific ones, to form your view of the world. The images in the mind that cause the internal dialogue to come back, are none other than intent! If anyone doesn't find this somewhat obvious, it's a little too advanced for you.Īnd apparently for me too, because the clarity is fading fast. We don't realize that but by obsessing over the details of the current world we are assembling, we "tune it back in". With each thought based entirely on words in our mind, we select the specific intent we want to be active. However, it turns out there's a better way to look at those 3, which offer amazing possibilities of exploration.įirst and foremost is to get rid of the internal dialogue, which is the source of our obsessions.
He is sort of the main enemy of Buddhist "equanimity". He censors it if it breaks perceptual customs, and he interferes even when it doesn't. DoubleTake", the virtual little guy in our head who "cares" what he perceives. The second is the flow of images in the mind, which cause the internal dialogue to return. One method is to eliminate the three enemies of freely shifting the assemblage point.
#Doubletake images how to#
In the past I've written about how to stop the world. The burden of the weight doesn't allow him to see that fine detail. It's like a man carrying 100 pounds won't notice that if his knees are bent a tiny bit more, his back feels better. This isn't something a beginner would notice, because they're still struggling even to get silent. When you learn to get silent, you discover that it's hard to keep the internal dialogue off, because you keep forgetting, and it comes back. I thought I'd write it down just in case it's gone later. I plan to do an image of how to make use of what I'm explaining here, but it's one of those things you "discover" in the dark room, which can be hard to comprehend later on.
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